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20121112
20121112
Search Results 0 to 3 of about 4 (some duplicates have been removed)
and everything would be controlled not by us, but by the editor. >> there is the theatrical function of building to that crescendo in that we have to be speaking at such a volume that catherine hears it to come down the stairs and say "why are you fighting?" so you know, again talking about the structure of the play, one thing feeds neatly into another which in film, you could play, you could cut away and there would be katherine upstairs. >> her listening. >> yeah. >> you see things from her point of view more. >> rose: what is the best medium for telling stories? >> radio. ( laughter ) >> rose: you love voice, don't you. >> well, when we talked about this with the edward r. murrow thing, his resistance to television, or to the visual was that as soon as you put a visual on top of a sound, you skew the meaning. and that is not his words, but that is sort of my -- >> it pure imagination, radio the actor in the studio is wearing his own clothes, imagining he is in a house, you in your home are managing a scenario with probably a different set of clothes or maybe no clothes at all sometimes. where
Search Results 0 to 3 of about 4 (some duplicates have been removed)